adidas brings the blacked-out BOOST sole to the football-inspired ACE16+ PureControl UltraBOOST. Partly inspired by the Checkered Black Ultra Boost colorway of the adidas Ace 17+ PureControl football cleats, the new iteration takes the former’s predominantly black look even further, offering the first true blackout Yeezy Boost 350 V2 Zebra paint job in the history of the pitch-to-pavement model. The slip-on style features tonal Three Stripes branding on the lateral side panel matched with reflective Adidas Ultra Boost 3.0 pull tabs. The adidas ACE16+ UltraBOOST “Triple Black” is available starting today for $200 USD. Check into your local adidas retailer and online for a Yeezy Boost 350 V2 Triple White chance to cop.
Sneaker photographer @sneakerprophet_ has once again given us a sneak peek into an unreleased pair of adidas UltraBOOSTs. This particular pair of Yeezy Boost 350 Oxford Tan Uncaged UltraBOOSTs feature an all-black makeover — complete with a black heel cab and BOOST sole. The upper itself boasts a marled wool construction with Yeezy Boost 350 Kids hints of white for dimension. While there is no word yet on whether or when this pair of sneakers will release, it’ll definitely be a Ultra Boost Uncaged hot seller. Let us know in the comments below what you Yeezy Boost 350 V2 think about this colorway.
Just yesterday Pharrell gave us a first look at the forthcoming adidas Human Made sneaker inspired by the classic Stan Smith. Stepping away from the adidas Originals NMD that we have come to know and love, the latest interpretation features a new Yeezy Boost 350 midsole and outsole unit that, for once, eschews BOOST technology. This adidas Human Race shoe comes dressed in a mix of white, blue and pink Adidas Ultra Boost Black tones throughout its woven Primeknit upper. As part of the new lineup of Human Races set to release this year, keep it locked here for Adidas Ultra Boost more information on pricing and a release date.Footwear news aside, Pharrell and Tyler, The Creator are working on new music together.
